Image from the exhibition in Crossroads

Within Heritage Movements

On display 4 September 2021 - 30 Januari 2022

"The Within Heritage Movements project started on a personal level as a way of testing my own artistic boundaries. When I learned about the story behind the Paracas collection I was very provoked. I felt a big deal of fascination in the way that diplomacy privilege was used in the 30s. It made me think about my own privilege and if there was a way I could use it as a tool in my artistic practice." - Oscar Lara 2021


Oscar Lara - Within Heritage Movements

Reproductions of ancient textiles, diplomatic transport boxes, archival materials, video with sound, 27 min  

The point of departure for Lara’s project was a diplomatic dispute sparked by a collection of Peruvian pre-Columbian textiles that the Museum of World Culture in Gothenburg showed in 2008 as part of the exhibition ‘A Stolen World’. The exhibition told the story of how the textiles had been looted from a 2000-year old desert grave in the 1930s and shipped secretly by diplomatic post to Gothenburg. After the Peruvian ambassador requested the textiles were returned to Peru, Lara embarked on a research process lasting several years, during which identical copies of the stolen textiles were made according to the same ancient techniques as the originals. The painstaking replication of the textiles took over four years and was made with Swedish expertise and funding only. Once finished, the copies were brought to Peru and shown at the MALI Museum of Arts in Lima, reproducing the museological aesthetic of the 2008 Gothenburg display.    

Since the start of the dispute, several of the Peruvian textiles have been repatriated from Sweden to Peru. In the summer of 2021, the two originals copied by Lara were also returned.    

The current installation at Museum of World Culture shows the two replicas in transport boxes, in the same way as the originals were shipped from Gothenburg to Lima. Also on display is a video documenting the elaborate process of producing the replicas. The project addresses the colonial foundations of ethnographic co llections in European museums, how cultural change occurs when objects are relocated, and the politics of display aesthetics.     

Produced with support from the Royal Institute of Art in Stockholm, the Museum of World Culture and GIBCA. The alpaca wool was sourced from Hamralpaca and Österlen Alpacka.    

Thank you to Martin Ciszuk, Lena Hammarlund, Maiko Tanaka, Anna Javer and María Ysabel Medina.   

Textile practitioners involved in the production process:  
Hanna Adenbäck, embroiderer  
Martin Ciszuk, research and production advisor  
Elisabeth Hamfelt, embroider, material expert  
Lena Hammarlund, research and production advisor  
Torhild Hektoen, wool spinner  
Jenny Larsson, embroiderer  
Ulrika Mars, embroiderer  
Maria Nordin, embroiderer  
Astri Sorby, embroiderer  
Maiko Tanaka, research and production director  
Sara Thorn, research and embroiderer    


Oscar Lara (b. 1977, Peru) is an artist based in Stockholm and Lima. He holds a Master of Creative Arts from the University of Wollongong, Australia and is currently a PhD candidate at the Royal Institute of Art, Stockholm. His work researches social practices for substantial structural change and recontextualization of ethnographic material for the activation of decolonial power. Lara has exhibited at MALI – Museo de Arte de Lima (2017), Espacio Fundación Telefónica (Madrid, 2012), Tetem Kunstruimte (Enschede, Netherlands, 2011), Museum of World Culture (Gothenburg, 2008).